油画大师吴兆铭艺术绘画作品欣赏
王国维曾肯定地说，哲学和艺术是“天下最神圣、最尊贵而无与当世之用者”，“愿今后之哲学美术家，毋忘其天职，而失其独立之位置”。也有人说“艺术远没有生活重要，但是没有艺术，生活就会有些贫乏了”。探索奇妙的艺术世界，就是一个发现美、欣赏美、享受美、感悟美的过程，她能洗涤人的内心，净化人的灵魂。
对于艺术家来说，艺术创作的过程是艰辛的，正如美国画家惠斯勒所说“艺术可遇不可求--它不会因为你是平民而对你视若无睹，也不会因为你是王公而对你青眼有加。天时未到，即使是最睿智的人也不能使艺术品诞生。”对此我国艺术大家齐白石也曾说“作画妙在似与不似之间，太似为媚俗，不似为欺世。学我者生，似我者死”。
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Wu Zhaoming is a very good at color printing and light and shadow to show the beauty of oil painting art, his application of color is very in place, can seek the essence of art from color. The Use of light and shadow changes to highlight the oil paintings in the color relations, Chiaroscuro and artistic composition, is a true master of light and shadow. Foreword
Zhaoming Wu Zhaoming Guangdong, (1955 -)
Wu Zhaoming (1955.12) , from Guangzhou, Guangdong. He graduated from the Oil Painting Department of Guangzhou Academy of Fine Arts in 1983 with a bachelor of arts degree. He graduated from San Francisco Academy of Fine Arts in 1995 with a master\'s degree in fine arts.
Wu Zhaoming\'s art is a passionate observation of his atmosphere, a perfect technique for the interpretation of the meaning of grace, and we are privileged to share this radiant light. When facing the characters from life, Zhao Ming quickly marks several symbols on the canvas with his brush to set the focus of the composition,
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and then lays out the shadows in a thin, heavy color. It was all done in a very short time, and then, instead of a rough outline, he shaped the image, stroke by stroke, with deliberate ease, adding and occasionally subtracting, stroking and teasing out the subject\'s form.
In his most exciting work, it is the characters, only partly revealed, as distinct from the background. Like Michelangelo\'s later sculptures, it convinces the viewer that the form is truly captured in the thick stone, as in the works of tromming, it exists in the space of the canvas, as if it could only be interpreted with the eyes, heart and hands of a master.
His work is a feast for the eyes. It is contemporary, but it hears the old tradition of the return of the century; the figure, but abstract; the concrete, but grand: the scene, or the person, the movement, the arrangement, capturing a moment in time, but certainly eternal.